image movie: Georgy Girl

Georgy Girl

category: Moviesdirector:Silvio Narizzanoruntime:99 minyear: 1966
genres: Comedy Drama Romance
A homely but vivacious young woman dodges the amorous attentions of her father's middle-aged employer while striving to capture some of the glamorous life of her swinging London roommate.
A homely but vivacious young woman dodges the amorous attentions of her father's middle-aged employer while striving to capture some of the glamorous life of her swinging London roommate.

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georgie girl trailer lynn redgrave

georgie girl trailer lynn redgrave
georgie girl trailer lynn redgrave.

Georgy Girl (1966)

Georgy Girl (1966)
Alan Bates, Lynn Redgrave and Charlotte Rampling. The kiss.

Official Trailer Georgy Girl - The Seekers Musical

Official Trailer Georgy Girl - The Seekers Musical
Georgy Girl is a brand new musical from one of the originating producers of Mamma Mia! and the producer of Dusty The Original Pop Diva. Inspired by the true ...

Georgy Girl - Trailer

Georgy Girl - Trailer
A traditional girl (Lynn Redgrave) resists the advances of a swinger (James Mason) who wants her ashis mistress in 1960s London. © 1966, renewed 1994 ...

Georgy Girl reviews

I enjoyed "Georgy Girl" at the time of its original release, but hadn't thought about it until I recently viewed the DVD version. This revisit was well worth it: "Georgy Girl" is a delightful film.Charlotte Rampling's Meredith is my favorite of the four main characters. Rampling has always been physically stunning, but it's her moody intellect within that keeps Meredith modern rather than a 60s icon who looks sensational in Mary Quant mini-dresses, a darker version of Julie Christie in "Darling" (a character who didn't have too much of a light side herself). Meredith is cool, in control, self-serving, brutal, and surprisingly honest about who she is. "You take me as me," she tells Jos (Alan Bates) as she cajoles him into marrying her, not so much because she's pregnant but because she's bored. It seems in Meredith's view, you can easily get rid of a pregnancy, but boredom requires more skill and is potentially a worse situation in which to find yourself. Other actresses could have successfully made Meredith a bitch, but Rampling makes her fascinating and thus strangely likable. When she exits the film, things go a bit limp, but then there's little left than to move the story to its inevitable conclusion.Alan Bates plays Jos with such high physical and verbal energy he seems to be all the Marx Brothers rolled into one. His facial expression at the culmination of his strip during the 'I Love You' sequence suggested to me a nod to the great Harpo.Lynn Redgrave made the role of Georgy so much her own it's difficult to believe the story that Vanessa Redgrave had been originally intended for it -- and even more difficult to imagine Vanessa playing scenes with Rampling.The title song became a big hit at the time. In the film, the lyrics vary somewhat from the pop version, serving to set up the plot during the opening credits and then comment on its resolution at the end. In between, the song politely vanishes, leaving the classically influenced score by Alexander Faris to take over with its harpsichord riffs and its subtle playfulness. I especially liked the violin solo that accompanies the transition from orgasm to morning sickness.The dialogue is often fast, overlapping, thrown away, or contains obscure (to me) cultural references, so it's worth enabling the English subtitles for DVD viewing. You wouldn't want to miss "Moss Bros", or Alan Bates' rapid-fire disrobing monologue, or Meredith's contempt for the concert at which she has just played violin: "Beethoven night. They're like animals."

Georgy Girl quotes

Meredith: I'll tell you what this pregnancy's taught me: It's taught me how it feels to look like the back end of a bus and sit around every night with nothing to do!
Ted: Your wife is at peace, Mr. James. A quick and merciful death. I don't suppose she ever knew what hit her.
Georgy: No matter what I try... God's always got a custard pie up his sleeve.
Georgy: You're old enough to be my... managing director!
[last lines]

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