image movie: Twin Peaks: Fire Walk with Me

Twin Peaks: Fire Walk with Me

category: Moviesdirector:David Lynchruntime:135 minyear: 1992
genres: Horror Mystery Thriller
Essentially a prequel to David Lynch and Mark Frost's earlier TV series "Twin Peaks". The first half-hour or so concerns the investigation by FBI Agent Chet Desmond (Chris Isaak) and his partner Sam Stanley (Kiefer Sutherland) into the murder of night-shift waitress Teresa Banks in the small Washington state town of Deer Meadow. When Desmond finds a mysterious clue to the murder, he inexplicably disappears. The film then cuts to one year later in the nearby town of Twin Peaks and follows the events during the last week in the life of Laura Palmer (Sheryl Lee) a troubled teenage girl with two boyfriends; the hot-tempered rebel Bobby Briggs (Dana Ashbrook) and quiet biker James Hurley (James Marshall), her drug addiction, and her relationship with her difficult (and possible schizophrenic) father Leland (Ray Wise), a story in which her violent murder was later to motivate much of the TV series. Contains a considerable amount of sex, drugs, violence, very loud music and inexplicable ...
A young FBI agent disappears while investigating a murder miles from Twin Peaks that may be related to the future murder of Laura Palmer; the last week of the life of Laura Palmer is chronicled.


Twin Peaks: Fire Walk with Me Videos

Twin Peaks: Fire Walk With Me, David Lynch - Original Trailer

Twin Peaks: Fire Walk With Me, David Lynch - Original Trailer
Directed by David Lynch, with Sheryl Lee, Ray Wise, Mädchen Amick DVD: ...

Twin Peaks: Fire Walk With Me Trailer

Twin Peaks: Fire Walk With Me Trailer
I do NOT own any of the material used in the trailer. The video is owned by New Line Cinema and the audio is owned by Warner Brothers.

The Missing Pieces Preview - Just a part of the TWIN PEAKS -- THE ENTIRE MYSTERY Blu-ray

The Missing Pieces Preview - Just a part of the TWIN PEAKS -- THE ENTIRE MYSTERY Blu-ray
Pre-Order Now: http://cbshe.com/TPBR David Lynch and Mark Frost's groundbreaking cult phenomenon, TWIN PEAKS -- THE ENTIRE MYSTERY, arrives on ...

Twin Peaks: Fire Walk with Me reviews

By the time this film was released, critics and TV audiences had already decided its decidedly mediocre box-office fate. The usual network attitude toward anything which demands thought and interpretation assured the cancellation of the series in its second season, and Lynch's departure from the show's director's chair to begin this film project all but sealed the fate of the show. Unfortunately, this same fate determined both the critical and public approach to the film project. TP:FWWM is a prequel to the two-season Twin Peaks saga, and (sort of) answers the question 'how and why did Laura Palmer die?'. Fans of the show mostly knew the answers before they saw this film, but to see Laura's life so vividly realized, and to see the TV characters cast into such a different, more harsh, surreal and disturbing light, really invigorates the entire TP phenomenon. FWWM actually inspired me to watch the entire series again (and as of 2004, I am in the process of watching it again). Fans of the series who found themselves disappointed by the final few episodes of the series because they felt it became too bizarre, are likely to find this film more gripping, though they will probably end up as unsatisfied as they were at the onset. Those who found the second season thrillingly experimental are likely to be surprised by the subtlety of and dramatic quality of this film. Those, like me, who approach the film with few tangible expectations might just find themselves, compelled, disturbed, and very entertained. The performances are generally very good, but not entirely even. Some TV cast-members, given the vastly expanded possibilities of cinema, really showed their range and depth. Sheryl Lee, MacLachlan, Dana Ashbrook, and Ray Wise were especially impressive. The cinematography is less powerful than the usual Lynchian vision (see Eraserhead, Lost Highway for extreme examples), and is more in keeping with the TV show's straightforward, but moody, photographic approach. The overall production values are, in fact, comparable to those of Mulholland Drive - also originally planned by Lynch as a TV show. Though more subtle than many of Lynch's more extravagant works, TP:FWWM is very successfully manipulative and powerful. I ardently appreciate Lynch, considering him one of cinema and performance's greatest contemporary artists. And I am unashamed to state that I believe this to be among his finest works. Many of Lynch's fans love to write interpretations of Lynch himself, as if all of his films are in some way connected beyond the obvious fact that he directed (and more often than not scripted) them. I do not disagree with this approach, but, in my opinion, any such universalizing comments more or less miss the point. Lynch is one of many director's who view film as an art form, not as a craft, nor as a vehicle for specific messages and stories. As Lynch has stated, repeatedly, his films involve a dream-like reality and often attempt to invoke a dream or nightmare state in viewers. Unlike most, however, Lynch succeeds in the purity of his art. His films demand interpretation, engagement and, what's more, demand a different and unique interpretation by most who view them. If you are looking for something which can be universally interpreted from TP:FWWM as part of this imagined set of Lynchian themes, I am not the reviewer to give it, look elsewhere. I have too much respect for Lynch's artistry to subject him to my own interpretive explanations. If you are looking for a simple story which will clear up the insanity of Twin Peaks, don't bother with FWWM. If you are looking, open-mindedly, for an intense, disturbing, and well constructed cinematic experience which creates more questions than it answers, and retains elements of mystery in a fatalistically driven plot environment, you've come to the right place.

Twin Peaks: Fire Walk with Me quotes

Cooper: Lately I've been filled with the knowledge that the killer will strike again. But because it is just a feeling, I am powerless to stop it. One more thing, Albert. When the next murder happens, you will help me solve it.
Man from Another Place: Do you know who I am? I am the arm, and I sound like this...
Laura: My secret diary... there are pages missing.
Donna: [to Laura] If I had a nickel for every cigarette your mom smoked, I'd be dead.
Donna: Do you think that if you were falling in space... that you would slow down after a while, or go faster and faster?

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